Britain is in crisis. An ineffectual Queen Cymbeline rules over a divided dystopian Britain. Consumed with grief at the death of two of her children, Cymbeline's judgment is clouded. When Innogen, the only living heir, marries her sweetheart Posthumus in secret, an enraged Cymbeline banishes him. Behind the throne, a power-hungry figure plots to seize power by murdering them both. In exile Innogen's husband is tricked into believing she has been unfaithful to him and in an act of impulsive jealousy begins a scheme to have her murdered. Warned of the danger, Innogen runs away from court in disguise and begins a journey fraught with danger that will eventually reunite Cymbeline with a long-lost heir and reconcile the young lovers.

Filmed live in the Royal Shakespeare Theatre in 2024. Experience a ‘ravishing fusion of flamboyancy and fun’ (Guardian) in the RSC’s smash-hit sell-out production of A Midsummer Night’s Dream. Four young lovers, faced with the prospect of unhappy marriage or worse, flee the court of Athens and stumble into an enchanted forest. Nearby, a group of amateur actors rehearse a play to celebrate an upcoming royal wedding. As these mere mortals cross paths with a warring fairy King and Queen, chaos reigns in the natural world. The lines between reality and illusion start to blur and no one but mischievous Puck knows what is true and what is magic. Let Shakespeare’s captivating comedy transport you to the most magical of midsummer nights. Director Eleanor Rhode returns to the RSC with a ‘joyous’ (The Times) Dream that is magical, mischievous and full of wonder.

From early rehearsals to the final performance, this in-depth exploration provides a behind-the-scenes look at how the RSC reimagined a Shakespearean classic for modern audiences. As Gregory Doran's directorial vision unfolds, traditional African dance is seamlessly integrated into Caesar's triumphant entrance and Mark Antony's funeral speech, while the set designers create a palpable atmosphere of dictatorship and unrest. Cyril Nri (Cassius) discusses how the cast draws on African leadership archetypes to infuse the narrative with cultural relevance, and Paterson Joseph (Brutus) reflects on his character's internal conflict, highlighting how it mirrors the difficult choices faced by contemporary revolutionaries. The documentary intersperses live performances with audience reactions, highlighting the powerful resonance of the adaptation.

A short film about a man in Paris and a woman in Seoul getting closer by phone.

Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong.

In William Shakespeare's "Cymbeline," King Cymbeline is furious when his only daughter, Inogen, marries Postumus, a man of low birth, instead of marrying Cymbeline's stepson, Cloten. As a result, Postumus is exiled from the kingdom and heads to Rome... There, he meets a Roman named Jaquimo and bets his wife as the stake, but what is Jaquimo's true motive?Saitama Arts Theater Grand Hall, Kitakyushu Arts Theater, Umeda Arts Theater Theater Drama City London Performance - Barbican Theater

Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome.

这部作品于2009年4月12日在德国Berliner Ensemble首演，时值莎士比亚《十四行诗》出版400周年之际。 罗伯特·威尔逊（Robert Wilson）执导的《莎士比亚十四行诗》(Shakespeare’s Sonnets)是绝妙的浪漫诗，难以用语言去概括。这些十四行诗被戏剧大师Jutta Ferbers挑选出来，他巧妙地改编了这些原本无意用于戏剧的迷人诗歌，用表演、朗诵、歌唱的方式表达出来；而Rufus Wainwright的作曲，混合了中世纪德国明尼苏达、古典、流行和卡巴莱摇滚的曲风，完美贴合了舞台的其他表现形式。莎士比亚比以往任何时候都更现代、更有活力。 在这部作品中，威尔逊充分开掘了莎士比亚154首十四行诗中所蕴含的颠覆传统的性别观，在男性和女性的欲望对象之间游移不定。几个典型的人物出现了：从男孩到傻瓜，从丘比特到神秘的黑女人，从英国女王到莎士比亚本人……威尔逊标志性的对时间、光线和肢体形态的塑造，与作曲家的时而浪漫、时而令人不安的配乐相融合，将观众带入一个悬浮在时空中的梦幻彼岸。

A dramatisation of the life of famed playwright William Shakespeare from 1590 to 1607.

The successful life of Mikhail, a Moscow lawyer, turns upside down in one day — a woman from the past, his first love, the daughter of a Gypsy baron Diana, appears in his life. She asks to get their daughter Yana out of prison, after which she promises to disappear forever from his life and keep his main secret. After all, Mikhail pretends to be another person. In fact, he is the gypsy Mihai Demeter, who 16 years ago was expelled from the camp and separated from his beloved. Mihai returns to the camp where he grew up in order to save his daughter, whose existence he did not know, and meet himself. Mihai will have to answer himself the question — who is he really, and where is his home — in the camp or in Moscow.